“Project Nine” emerged from a distinct thought: how can sound convey urgency and the feeling of time slipping by, without becoming chaotic? Consequently, I wanted to create something focused. I aimed for a sparse yet melodic minimalist tune, specifically for those sequences where every second counts. For this track, I chose the key of D minor and a tempo of 108 BPM. I found this combination creates a sense of steady progression—a forward movement that is contained yet purposeful.
When composing “Project Nine,” I focused on a minimalist approach because I find stripping back layers allows melodic ideas to breathe. This, in turn, helps them carry more emotional weight. For this piece, I considered how music can underscore tension or the need for quick resolution; indeed, this is a theme that often surfaces in media productions. My work frequently touches upon temporality. This track, for instance, directly explores how carefully chosen synthesized sounds shape our perception of unfolding events. Although the melody is sparse, I designed it to be memorable and subtly drive the atmosphere.
As with all my work, I’m passionate about sharing and seeing how others incorporate my sounds into their creative projects. Because of this, “Project Nine” is part of my album Music for Media Productions Vol. 3. Moreover, I’ve released it under a Creative Commons CC BY-SA license. I envision this track being particularly effective as background music for various media. For instance, it could suit video projects or presentations. It’s also ideal for any media highlighting focused activity or the passage of time. Ultimately, I hope you find it a useful addition to your sonic toolkit and feel free to adapt it.