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Screenshot of the VST synth Diva from U-HE

Unwrapping Diva: A Secret Santa Surprise for Music Producers”

Secret Santa surprised me with the Diva synth from U-HE in December 2020. Excited to explore its sonic potential!

December 2020 brought an early Secret Santa surprise into my life, and it was no less than the Diva synth by U-HE. As a new media artist and music enthusiast, I was thrilled to get my hands on this highly regarded virtual instrument. While I hadn’t had the time to explore it thoroughly, the buzz around Diva had me excited for the musical journey that lay ahead.

Exploring the Diva Synth

Diva, short for Dinosaur Impersonating Virtual Analogue, is known for its exceptional sound quality and flexibility. With its reputation preceding it, I couldn’t wait to dive into the world of sonic possibilities it promised.

Features and Functionality:

U-HE’s Diva is renowned for its authentic analog sound emulation. It boasts a range of features, including various oscillator models, filters, and modulation options, making it a versatile tool for music producers. The fact that it can mimic the sound of classic analog synthesizers is particularly appealing to me as a music producer.

Community Buzz:

Before receiving Diva, I had already heard countless positive reviews and seen fellow musicians and producers praise its capabilities. The excitement within the music production community about this synth was contagious. It was evident that Diva had earned its place as a must-have virtual instrument for anyone serious about music production.

The Promise of Creativity:

While I hadn’t yet had the chance to explore Diva thoroughly, I was eager to unleash its potential. As someone who is passionate about music production and always on the lookout for new tools to expand my creative horizons, Diva seemed like a dream come true.

Future Plans:

In the coming months, I plan to dedicate more time to experimenting with Diva and incorporating its unique sounds into my music production projects. I believe that this synth could be a valuable addition to my toolkit as I explore the world of soundscapes and electronic music.

Kjartan Abel
Kjartan Abel became an artist at 30 by accident, with an umbrella and a creative lie about software. He has spent the years since working at the intersection of technology, art, and cultural heritage — building interactive museum installations, automating things that probably shouldn't be automated, and occasionally connecting hamsters to the internet. He holds an MFA from UCL Slade School of Fine Art and a BA from Kingston University, and currently works as a digital advisor at Østfoldmuseene in Norway. His blog covers music curation, creative technology, and the specific frustration of being too early to everything.